A working knowledge of Windows or Macintosh or operating systems. No experience with Avid Media Composer is necessary. Launch Media Composer Identify and understand the function of the primary Media Composer tools and windows – Create / open a project using standard SD and HD formats – Import / Link to media – Create project bins, as needed – Organize clips by moving them from one bin to another – Create a sequence, and add or remove tracks as needed Add clips to the sequence using Splice and Overwrite, or equivalent SmartTool functions – Remove sequence material using Lift and Extract, or equivalent SmartTool functions – Use Trim mode and SmartTool trim tools to change the length of sequence clips – Adjust the audio level (clip gain) of clips in the sequence – Add basic effects to sequence clips – Add transition effects to the sequence – Create and add static titles – Use automatic color correction to improve the appearance of video clips – Export the finished sequence as a high-quality video file, or for uploading to the web – Adjust basic settings relating the media creation and user preferences – Locate Media Composer project and media files – Delete unwanted media files, and all media at the completion of the edit process Prerequisites This course is designed for: Producers – Editors – Assistant Editors – Multimedia Producers Objectives This includes understanding the relationship between media and project files, media storage location, the abilities to create the project file bring in the source video and audio files edit the sequence, add titles, music, and basic effects, and then export the finished sequence. In this course, students develop an understanding of the video editing process and the basic skills to edit a video project from start to finish. Media Composer Fundamentals I is an introductory course designed to get a new user up-and-running on the software. Together with the second course in the series, Media Composer Fundamentals II (MC110), this course provides the foundational training required to achieve the credential of Avid Certified User: Media Composer.
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Media Composer Fundamentals I (MC101) is the first step in achieving confidence, creativity, and efficiency with Avid Media Composer, the non-linear film/video editing application used in most movie and television productions. Southeast Asia (Includes Indonesia, Malaysia, Philippines, Singapore, Thailand, and Vietnam) - English Selecting a region changes the language and/or content on. See Importing AAF project files from Avid Media Composer for more information about supported Metadata and Effects when importing ALE, AAF, and EDL files in Premiere Pro. All Camera angles will be available if Avid Clip Bins are Exported as ALE Files and Imported as Bins into Premiere Pro.Multi-Cam Clips will be broken into discreet camera angles and only the Active Camera Angle from an Avid Sequence will be placed in the Sequence.
Matte Keys can lose Alpha Channel after migration.LUT Filter Effects and Color Filters applied to clips in Avid Sequence do not migrate.LUT information baked into master clips will migrate, along with LUT information in Metadata Display columns.Some Motion parameter settings migrate, but complex animation might not.Audio Levels and Keyframes will migrate from Avid.Effects such as dissolves and speed variations will migrate from Avid.Markers will be placed in the Sequence to identify unsupported effects.However, many of them can be solved with these troubleshooting techniques. Media Composer doesn’t always cooperate when you need it to. Custom information entered in Avid Metadata columns, such as the Comments field, will migrate. Under the Apps tab, find Avid Media Composer and see if there is a new version to download.What you learned: Sequence Effects and Metadata Migration
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